What about the Grays?
What is a neutral gray?
This is very simple: a neutral gray is something intermediate
between black and white. If black is no light at all, and white the
maximum possible light for all three RGB colors, the neutral grays
will be in between, i.e. a same level of the three RGB colors,
between 0 and 255.
Red |
Green |
Blue |
Result |
Name |
255 |
255 |
255 |
|
White |
192 |
192 |
192 |
|
Light Neutral Gray |
128 |
128 |
128 |
|
Med. Neutral Gray |
64 |
64 |
64 |
|
Dark Neutral Gray |
0 |
0 |
0 |
|
Black |
(Back to top)
Colored grays
If the three RGB colors have not exactly the same value, the
obtained gray will be a colored gray. The next two pictures show
you several colored grays.
In fig. #15 you see some grays colored with red, green and blue.
Fig. #16 shows the same grays colored with magenta, cyan and
yellow.
For an easier comprehension of this sort of gradations, please
look at the three tables below.
Red |
Green |
Blue |
Result |
Name |
192 |
192 |
192 |
|
Light Neutral Gray |
172 |
192 |
172 |
|
With 10% Green |
153 |
192 |
153 |
|
With 20% Green |
134 |
192 |
134 |
|
With 30% Green |
In the first table, youll remark that the green value is
always 192, and that the red and blue ones gradually decrease
from 192 to 172, 153 and finally 134. The color
at 192 gives the shade of the gray.
But these delicate shades are better seen on a black background,
as in the following picture:
In the second table, youll see, in the colored grays, that
there is always one color which remains at its original value
of 128, the other two ones decreasing to 102. The color
at 128 gives the shade of the gray.
Red |
Green |
Blue |
Result |
Name |
128 |
128 |
128 |
|
Med. Neutral Gray |
128 |
102 |
102 |
|
With 20% Red |
102 |
128 |
102 |
|
With 20% Green |
102 |
102 |
128 |
|
With 20% Blue |
Better seen on a black background:
The third table shows a neutral gray at 153-153-153. In the
colored grays, there are always two colors which remain at this
original value of 153, the third ones decreasing to 102.
The two colors at 153 give the shade of the gray, e.g.
Red 153 + Blue 153 = Magenta, etc.
Red |
Green |
Blue |
Result |
Name |
153 |
153 |
153 |
|
Another Neutral G. |
153 |
102 |
153 |
|
With 33% Magenta |
102 |
153 |
153 |
|
With 33% Cyan |
153 |
153 |
102 |
|
With 33% Yellow |
Better seen on a black background:
Its thus always the color (or the two colors) which has
(have) the highest power i.e. the highest number that
gives (give) the shade of the gray.
(Back to top)
The yellowish grays and blacks
A most interesting issue is the case of the yellow colored grays
and blacks.
In this image, you can see four dark yellows!
Believe me or not, these Olive Greens are nothing else
than yellow colored grays and blacks, as you can see in the
following table:
Red |
Green |
Blue |
Result |
Name |
170 |
170 |
0 |
|
Light Blackish
Yellow |
153 |
153 |
0 |
|
Dark Blackish
Yellow |
136 |
136 |
51 |
|
Yellowish
Gray |
119 |
119 |
51 |
|
Dark Yellowish
Gray |
This is what happens in the RGB additive system. But its
the same thing with yellow, black and gray in the CMYB subtractive
system. You can try these mixings with your oil colors: it works
too! (Even with watercolors or acrylics.) You only need Cadmium
Yellow Light, Mars Black and just a little Titanium White
for making grays. (No white needed with watercolors.)
Now, lets go to the Browns.
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