The additive system: RGB system
Introduction
There are three basic colored lights, red, green and blue.
Modern chemistry can easily give us 3 transparent
colorants for making good color screens. If you look at a PC or
TV screen through a powerful magnifying glass, you will only see
red, green and blue points. And every colored point is a little
light that is ADDED to the light of the next ones. Thats why
we call these colors the additive primaries.
Every little light can be more or less powerful. Their energy
ranges from 0 to 255, i.e. from no light to
full light.
Why these numbers? Its very simple: in
electronics, one works with bits. With eight bits, you can have
256 numbers, ranging from 0 to 255. For
3 colors, 3 × 8 bits make 24 bits
and 16,777,216 possibilities, i.e. nearly 17 millions
colors.
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Black, white and gray
For example, if a group of three points gives full light
(= full power) it means red 255, blue 255 and
green 255 , the result is pure white. If we have,
red 0 blue 0 and green 0, we see no light at all,
the result is black. If we have middle values like red 128,
blue 128 and green 128, the result is a neutral gray.
Thats the RGB system (RGB for Red, Green, Blue).
See here more examples under any: lets begin with Black,
White and Gray.
Red |
Green |
Blue |
Result |
Name |
255 |
255 |
255 |
|
White |
128 |
128 |
128 |
|
Gray |
0 |
0 |
0 |
|
Black |
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Primaries and secondaries
Now the primary colors: the Additive Primaries. Every
color is pure and at its full power, 255.
Red |
Green |
Blue |
Result |
Name |
255 |
0 |
0 |
|
Red |
0 |
255 |
0 |
|
Green |
0 |
0 |
255 |
|
Blue |
And the secondary colors: the Additive Secondaries. These
are mixings of the three primaries by two: 100% of the first and
100% of the second one. Thus red 255 + green 255 =
yellow, etc.
Please note the name of these colors: Cyan (mixing of
Green and Blue lights) and Magenta (mixing of Red and Blue
lights). They will come back later in this talk.
Red |
Green |
Blue |
Result |
Name |
255 |
255 |
0 |
|
Yellow |
0 |
255 |
255 |
|
Cyan |
255 |
0 |
255 |
|
Magenta |
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Tertiaries
The tertiary colors: the Additive Tertiaries. These are
obtained by mixing two primaries in unequal proportion: 100% of the
first color and 50% of the second one, or reversely. In a digital
system, their energies become 255 (100%) and 128 (50%),
respectively.
Red |
Green |
Blue |
Result |
Name |
255 |
128 |
0 |
|
Orange |
128 |
255 |
0 |
|
Yellowish Green |
0 |
255 |
128 |
|
Bluish Green |
0 |
128 |
255 |
|
Greenish Blue |
128 |
0 |
255 |
|
Violet |
255 |
0 |
128 |
|
Bluish Red |
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Oranges and browns
To complete this information, lets say, for example, that
an Orange can be more Red or more Yellow. The same for every other
color. But the Orange example is very interesting, because when a
Reddish Orange is less powerful, it becomes a brown.
Red |
Green |
Blue |
Result |
Name |
255 |
192 |
0 |
|
Yellowish Orange |
255 |
64 |
0 |
|
Reddish Orange |
170 |
43 |
0 |
|
Marroon |
112 |
28 |
0 |
|
Dark Brown |
You certainly have already remarked that these
3 reddish oranges above are exactly the same:
only their powers differs. They contain indeed the same
relative proportion of Green and Red: 64/255 = 25%;
43/170 = 25% and 28/112 = 25%. (There is a tiny
arithmetical error less than 0.3%: 43/170 =
25.29% , because its impossible to cut a bit in
two!)
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Colored grays and pastel tints
When you have mixings of the 3 additive primaries, the
results are more or less colored grays or pastel tints. Very dark
Grayish Oranges are perceived as Brown varieties too.
Red |
Green |
Blue |
Result |
Name |
204 |
170 |
170 |
|
Reddish Gray |
170 |
170 |
136 |
|
Yellowish Gray |
119 |
119 |
170 |
|
Bluish Gray |
204 |
255 |
238 |
|
Pastel Green |
221 |
187 |
255 |
|
Pastel Violet |
102 |
51 |
34 |
|
Dark Brown |
102 |
34 |
34 |
|
Dark Reddish Gray |
And so, with the 256 possible light powers of each of the
three additive primaries (= colored lights), we get
more than 16 millions colors (exactly 256 ×
256 × 256 = 16,777,216 different colors).
Thats the additive system used on the PC monitors. On this
manner, these screens can reproduce an enormous variety of
colors.
You could imagine systems with more than 256 powers for
each primary color, e.g. 512 or 1024. The results would be
134,217,728 or 1,073,741,824 colors respectively, and so on... But
such a complication would be absolutely unnecessary, because the
16 millions colors system is already too good for most human
eyes, which are not able to see the difference between two nearby
colors, for example 204-255-170 and 204-255-171, as shown in the
picture below.
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